Follow Us
Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
There has been a long-term debate over whether sound recordings can be copyright works made for hire. Sound recordings don’t appear in the list of works for hire set out in §101 of the Copyright Act of 1976, though record labels argue recordings can be deemed so as a “compilation” or a “contribution to a collective work,” per §101. Twenty years ago, Congress moved to formally designate sound recordings as works for hire via the Intellectual Property and Communications Omnibus Reform Act of 1999 (IPCORA) — though artists were able to convince Congress to repeal the legislation.
Continue reading by getting
started with a subscription.
By Stan Soocher
Can the settlement of a lawsuit by one profit participant in a TV production be used to increase the contingent compensation provisions of other profit participants in the show?
In-House Counsel Perspective on Negotiating Social Media Influencer Contracts
By Chris O’Malley
With the FTC amping up its scrutiny in the social media influencer space, in-house counsel has an opportunity to mitigate risk and help their companies get more bang for their influencer marketing buck.
Pursuing AI Programmers and Third Parties over Alleged Rights Violations Caused by AI Software
By Jonathan Bick
Because AIs are capable of causing harm but cannot be a legal entity, they are not held accountable by court action. Several current and future possibilities exist to resolve AI difficulties. Current options involve identifying indirect liability. Future options include but are not limited to changing the law to make an AI a legal person and/or changing the law to make AI programing an ultra-hazardous activity.
By Entertainment Law & Finance Staff
Notable recent court filings in entertainment law.
Copyright © ALM Global, LLC. All Rights Reserved.
