Obtaining Rights For Music-Driven TV Productions

This is Part Two of a two-part interview, coordinated by <i>Entertainment Law &amp; Finance</i> Editor-in-Chief Stan Soocher, with Santa Monica-CA-based entertainment Henry Root. In Part One, Root, who has extensive experience handling legal issues for music-driven television productions, discussed considerations in clearing rights in, and determining fees for, songs and sound recordings used in a production, as well as how option rights for the music are negotiated. Root also began, and continues here, a discussion of the issues to be negotiated for a record label to waive its exclusive right to the services of an artist who will appear in a TV music production. Root also discusses copyrights in artist TV performances, reciprocal rights with record labels, holdbacks on exploitation, and warranties and representations.

32 minute readNovember 29, 2006 at 11:18 AM
By
ALM Staff
Law Journal Newsletters
Obtaining Rights For Music-Driven TV Productions

This is Part Two of a two-part interview, coordinated by Entertainment Law & FinanceEditor-in-Chief Stan Soocher, with Santa Monica-CA-based entertainmentHenry Root. In Part One, Root, who has

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