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Copyright-infringement cases alleging that a defendant improperly used a plaintiff's work for a movie or TV show often hinge on whether there's substantial similarity between the litigating parties' works. But substantial similarity plays a role in breach-of-implied-contract cases alleging defendants based their film or show on a plaintiff's work. A recent ruling by the California Court of Appeal serves as an informative review of California case law in this legal area and its current application.
In California, a breach-of-implied contract essentially alleges that a plaintiff submitted an idea to a defendant who impliedly promised to credit and compensate the plaintiff for use of the idea. Celebrity-events-crasher Rex Reginald drafted 'The Party Crasher's Handbook' and a synopsis. Reginald's representative, Neil Portman, pitched a party-crasher movie concept to United Talent Agency (UTA), which passed on the project. Reginald also claimed he informed New Line Cinema-affiliated producer Robert Shaye about the movie concept, and followed-up with a call and materials submission to New Line, which also rejected the movie project.
Two years later, Reginald filed suit against New Line and UTA and its affiliated talent agent Nick Stevens, after discovering that New Line had a movie entitled 'Wedding Crashers' in production. Reginald's complaint included a claim of breach of implied contract. The Los Angeles Superior Court granted motions for summary judgment filed by New Line and UTA by deciding that the Reginald's concept and 'Wedding Crashers' weren't substantially similar.
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This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
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