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Production Lawyer's Guide to Obtaining E&O Insurance, Preventing Litigation

By ALM Staff | Law Journal Newsletters |
July 30, 2008

Part One discussed what is and isn't covered by errors and omissions (E&O) insurance and examined general clearance guidelines for film and TV. Part Two continues the discussion with specific clearance procedures for production counsel to consider.

The following procedures are primarily relevant to dramatic works. If the client's project is factual (such as a documentary or docudrama), the procedures below will only be part of what counsel will need to take into account. (The clearance issues that are unique to fact-based projects are beyond the scope of this article.)

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