Part One discussed what is and isn't covered by errors and omissions (E&O) insurance and examined general clearance guidelines for film and TV. Part Two continues the discussion with specific clearance procedures for production counsel to consider.
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Production Lawyer's Guide to Obtaining E&O Insurance, Preventing Litigation
The following procedures are primarily relevant to dramatic works. If the client's project is factual (such as a documentary or docudrama), the procedures below will only be part of what counsel will need to take into account. (The clearance issues that are unique to fact-based projects are beyond the scope of this article.)
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