Law.com Subscribers SAVE 30%

Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.

<b>Decision of Note:</b> No Access Found In Song Suit Against Blige

By Stan Soocher
March 30, 2009

The U.S. Court of Appeals for the Sixth Circuit affirmed summary judgment in favor of artist Mary J. Blige and her record label, music publisher and song collaborator co-defendants in a copyright infringement suit over Blige's song “Family Affair.” Jones v. Blige, 07-1051.

Plaintiffs Leonard Jones and James E. White had sued over their song “Party Ain't Crunk.” In the spring of 2001, White sent a demo of the song to Andy McKaie, Senior VP of A&R for Universal Music Enterprises, which compiles product re-issues. Universal's new product division released “Family Affair” on Blige's No More Drama album in August 2001.

The appeals court decided that the plaintiffs failed to establish that the defendants had access to “Party Ain't Crunk.” The court explained: “Plaintiffs' assertions of a connection between McKaie and Defendants are entirely unsupported by the record. Plaintiffs claim that McKaie is a 'liason between the departments that release old and new material and he has to coordinate with the new release division on the creative end,' but they cite no support for this in the record. Also without citation or support, Plaintiffs claim that McKaie 'was in a position to provide
suggestions or comments to Blige and Young.' Plaintiffs point out that one of the songs on the No More Drama album contains a sample of a television theme-song, and they claim that the sample would have been cleared through McKaie's department and that he therefore 'knew about the 'No More Drama' project and was working on it.' This apparently is mere speculation, as the evidence Plaintiffs cite does not support their claim that the sample originated from McKaie's department or, if it had, that he would have known about it.

The Sixth Circuit also declined to accept the “bare corporate receipt” doctrine as a basis for proof of access. In addition, the appeals court explained that the time line demonstrated that “Family Affair” had been independently created. “Defendants have proved independent creation only of the music, and not the lyrics, of 'Family Affair',” the appeals court stated. “However, because Plaintiffs could not establish access, and because the lyrics of the two songs are not so 'striking[ly]' similar as to give rise to an inference of copying, ' the grant of summary judgment as to the lyrics was also proper.”

The U.S. Court of Appeals for the Sixth Circuit affirmed summary judgment in favor of artist Mary J. Blige and her record label, music publisher and song collaborator co-defendants in a copyright infringement suit over Blige's song “Family Affair.” Jones v. Blige, 07-1051.

Plaintiffs Leonard Jones and James E. White had sued over their song “Party Ain't Crunk.” In the spring of 2001, White sent a demo of the song to Andy McKaie, Senior VP of A&R for Universal Music Enterprises, which compiles product re-issues. Universal's new product division released “Family Affair” on Blige's No More Drama album in August 2001.

The appeals court decided that the plaintiffs failed to establish that the defendants had access to “Party Ain't Crunk.” The court explained: “Plaintiffs' assertions of a connection between McKaie and Defendants are entirely unsupported by the record. Plaintiffs claim that McKaie is a 'liason between the departments that release old and new material and he has to coordinate with the new release division on the creative end,' but they cite no support for this in the record. Also without citation or support, Plaintiffs claim that McKaie 'was in a position to provide
suggestions or comments to Blige and Young.' Plaintiffs point out that one of the songs on the No More Drama album contains a sample of a television theme-song, and they claim that the sample would have been cleared through McKaie's department and that he therefore 'knew about the 'No More Drama' project and was working on it.' This apparently is mere speculation, as the evidence Plaintiffs cite does not support their claim that the sample originated from McKaie's department or, if it had, that he would have known about it.

The Sixth Circuit also declined to accept the “bare corporate receipt” doctrine as a basis for proof of access. In addition, the appeals court explained that the time line demonstrated that “Family Affair” had been independently created. “Defendants have proved independent creation only of the music, and not the lyrics, of 'Family Affair',” the appeals court stated. “However, because Plaintiffs could not establish access, and because the lyrics of the two songs are not so 'striking[ly]' similar as to give rise to an inference of copying, ' the grant of summary judgment as to the lyrics was also proper.”

This premium content is locked for Entertainment Law & Finance subscribers only

  • Stay current on the latest information, rulings, regulations, and trends
  • Includes practical, must-have information on copyrights, royalties, AI, and more
  • Tap into expert guidance from top entertainment lawyers and experts

For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473

Read These Next
Strategy vs. Tactics: Two Sides of a Difficult Coin Image

With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.

Major Differences In UK, U.S. Copyright Laws Image

This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.

'Huguenot LLC v. Megalith Capital Group Fund I, L.P.': A Tutorial On Contract Liability for Real Estate Purchasers Image

In June 2024, the First Department decided Huguenot LLC v. Megalith Capital Group Fund I, L.P., which resolved a question of liability for a group of condominium apartment buyers and in so doing, touched on a wide range of issues about how contracts can obligate purchasers of real property.

Fresh Filings Image

Notable recent court filings in entertainment law.

The Article 8 Opt In Image

The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.