Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
The Digital Millennium Copyright Act (DMCA) codifies a comprehensive procedure through which a copyright holder may petition for the removal of allegedly infringing content from a Web-publishing platform, e.g., video sharing and social media sites like YouTube and Vimeo. See, 17 U.S.C. '512(c). If the copyright holder believes in good faith that the targeted content is infringing, it can disseminate a “takedown notice” to the service provider pursuant to '512(c)(3). The service provider is then required to remove or disable access to the material “expeditiously” lest it be confronted with infringement liability itself.
Sending a DMCA takedown notice is not without risk. If the sender of the notice “knowingly materially misrepresents” that the content is infringing, under the '512(f) counter-notification provision, the recipient can sue for damages, including attorney fees and costs incurred by the purported infringer.
Section 512(c) is oft-litigated, and various specialized doctrines have emerged that deal with individual issues intrinsic to the statutory text, such as what form a valid takedown notice must utilize, and what knowledge a service provider must possess in order to incur liability for a failure to remove content even after receiving a conforming takedown notice. In contrast, '512(f) has rarely been the center of high-profile litigation. This may be starting to change. A federal appellate court heard oral arguments on July 7th concerning a major '512(f) case involving what is alleged to be an unsubstantiated takedown notice sent from a holder to a YouTube subscriber. The questions presented have been bifurcated into both the determination of the requisite mens rea so as to preclude '512(f) liability by the sender, particularly when the recipient raises an affirmative defense as the basis for any sender knowledge, and to what extent, and of what nature, should damages be awarded upon a finding of '512(f) liability.
ENJOY UNLIMITED ACCESS TO THE SINGLE SOURCE OF OBJECTIVE LEGAL ANALYSIS, PRACTICAL INSIGHTS, AND NEWS IN ENTERTAINMENT LAW.
Already a have an account? Sign In Now Log In Now
For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473
This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.
The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.
In Rockwell v. Despart, the New York Supreme Court, Third Department, recently revisited a recurring question: When may a landowner seek judicial removal of a covenant restricting use of her land?