Law.com Subscribers SAVE 30%

Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.

Twists and Turns of Copyright Litigation Over <i>Jersey Boys</i> Musical Reach Latest Stage

By Vincent Peppe
July 02, 2017

The Four Seasons were a 1960's pop group whose rise to stardom also involved mob connections and a gang of hits, such as “Sherry,” “Big Girls Don't Cry” and “Walk Like a Man.” In 1990, the vocal group was inducted into the Rock & Roll Hall of Fame. In 2004, a musical play based on the lives of the Four Seasons opened. Called Jersey Boys, the musical moved to Broadway where it won four Tony awards. In 2014, Jersey Boys was adapted into a movie directed by Clint Eastwood. Since 2007, the development of the musical has been the source of protracted litigation that reached its latest stage in June 2017. Corbello v. DeVito, 2:08-cv-00867 (D. Nev.).

Case Background

The Four Seasons consisted of Frankie Valli, Tommy DeVito, Bob Gaudio and Nick Massi. The intricate back story to the Jersey Boys litigation is that, in 1988, Rex Woodard, a Texas lawyer and a journalist, entered into a written agreement with DeVito to ghostwrite DeVito's autobiography. The agreement specified that Woodard and DeVito would be listed as co-authors of the book and equally divide the proceeds from publishing or otherwise exploiting it. The agreement also stated it would be binding on the parties' heirs. After completing the book manuscript, Woodard died of cancer in 1991. Four months before Woodard's death and without his knowledge, DeVito registered the book with the U.S. Copyright Office solely in his own name.

This premium content is locked for Entertainment Law & Finance subscribers only

  • Stay current on the latest information, rulings, regulations, and trends
  • Includes practical, must-have information on copyrights, royalties, AI, and more
  • Tap into expert guidance from top entertainment lawyers and experts

For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473

Read These Next
Major Differences In UK, U.S. Copyright Laws Image

This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.

Strategy vs. Tactics: Two Sides of a Difficult Coin Image

With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.

The Article 8 Opt In Image

The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.

Removing Restrictive Covenants In New York Image

In Rockwell v. Despart, the New York Supreme Court, Third Department, recently revisited a recurring question: When may a landowner seek judicial removal of a covenant restricting use of her land?

Fresh Filings Image

Notable recent court filings in entertainment law.