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Oral Appellate Arguments in 'Blurred Lines' Copyright Case

BY Scott Graham
November 02, 2017

Lawyers for Marvin Gaye's heirs and recording artists Pharrell Williams and Robin Thicke were singing past each other in court in October. Milan Smith, a judge on the U.S. Court of Appeals for the Ninth Circuit, repeatedly complimented opposing counsel Quinn Emanuel Urquhart & Sullivan partner Kathleen Sullivan and Arnold & Porter Kaye Scholer partner Lisa Blatt on the forcefulness of their arguments in a copyright infringement case that has lit up the music industry. See, http://lat.ms/2gvIplN.

But it wasn't clear which side was making the most headway with the appellate court. All three judges put the lawyers on the spot over various aspects of the $5 million jury verdict arising from the song “Blurred Lines.”

Sullivan framed the verdict in Williams v. Gaye, 15-56880, as conflating ordinary artistic inspiration with copyright infringement. Jurors should not have been instructed that Thicke and Williams might have subconsciously infringed Gaye's song “Got to Give It Up” — especially after hearing evidence that the two discussed the song before recording “Blurred Lines,” Sullivan argued. “This case was turned into what it shouldn't have been — a case about inspiration,” Sullivan told the court.

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