Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
New York's regulatory scheme for event ticketing is one of the most complex of its kind and no stranger to overhauls of various provisions, which seek to protect consumers from unfair and predatory ticketing practices. The landscape's most recent update occurred in June 2022, when Governor Kathy Hochul signed into law S9461, modifying certain regulations governing live-event ticket sales that are codified in New York's Arts and Cultural Affairs Law (ACAL). The bill had been introduced by state Senator James Skoufis in May following a year-long legislative inquiry into the current state of ticketing practices in New York.
As discussed below, the new law principally affects the rules governing disclosure requirements for primary ticket sale prices and restricts the means of secondary ticket resale, including by expanding penalties for the use of scalper software "bots" and unauthorized ticket purchasing software.
The ACAL has been revised by the New York legislature several times in the past 15 years, primarily in response to concerns about ticket pricing and availability. In 2007, the ability to resell tickets was expanded when the legislature removed the cap on ticket resale prices (2007 N.Y. Laws 2738), in turn leading to a 2010 prohibition on using automated ticket purchasing software (2010 N.Y. Laws 781, 785). A subsequent amendment passed in 2018 included additional disclosure requirements for ticket prices, included certain exceptions to paperless ticket regulations and imposed notice requirements for ticket resellers (2018 N.Y. Laws 110; see also, Anthony J. Dreyer and Andrew Green, "New York State's Latest Ticket Sales Reforms," Entertainment Law & Finance, November 2018, p. 5; https://bit.ly/3ccH9kD). And a year-long investigation into event ticketing practices, conducted between 2020 and 2021, culminated in a 2021 proposal (also introduced by Senator Skoufis) seeking to institute major, sweeping changes to pricing and refund requirements and exclusive ticket-sale relationships, a proposal that ultimately died in committee. See, Anthony J. Dreyer and Andrew Patrick, "Sweeping Changes Proposed to New York Ticketing Regime," New York Law Journal, June 3, 2021; https://bit.ly/3wpSmF3.
ENJOY UNLIMITED ACCESS TO THE SINGLE SOURCE OF OBJECTIVE LEGAL ANALYSIS, PRACTICAL INSIGHTS, AND NEWS IN ENTERTAINMENT LAW.
Already a have an account? Sign In Now Log In Now
For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473
With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.
This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
In June 2024, the First Department decided Huguenot LLC v. Megalith Capital Group Fund I, L.P., which resolved a question of liability for a group of condominium apartment buyers and in so doing, touched on a wide range of issues about how contracts can obligate purchasers of real property.
The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.