Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.
The U.S. District Court for the District of Connecticut granted Friday the 13th screenwriter Victor Miller partial attorney fees totaling more than $886,564, in his long-running fight against the 1980 horror film's production outfit Manny Co. over proceeds from the film. Horror Inc. v. Miller, 3:16-cv-1442 (D.Conn. 2022).
Miller, hired to write the screenplay in 1979, was paid $9,282 for his work. A landmark film of the slasher genre, Friday the 13th went on to earn "tens of millions of dollars for Manny and its successors, including Horror Inc.," Connecticut federal District Judge Stefan R. Underhill noted.
District Judge Underhill had granted Miller, 81, summary judgment in a 2016 lawsuit filed against Miller by Manny. The U.S. Court of Appeals for the Second Circuit upheld that ruling, allowing Miller to reclaim authorship rights for his work. Horror Inc. v. Miller, 15 F.4th 232 (2d Cir. 2021).
ENJOY UNLIMITED ACCESS TO THE SINGLE SOURCE OF OBJECTIVE LEGAL ANALYSIS, PRACTICAL INSIGHTS, AND NEWS IN ENTERTAINMENT LAW.
Already a have an account? Sign In Now Log In Now
For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473
With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.
In June 2024, the First Department decided Huguenot LLC v. Megalith Capital Group Fund I, L.P., which resolved a question of liability for a group of condominium apartment buyers and in so doing, touched on a wide range of issues about how contracts can obligate purchasers of real property.
The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.
This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.