Law.com Subscribers SAVE 30%

Call 855-808-4530 or email [email protected] to receive your discount on a new subscription.

Conn. Fed. Court Distinguishes Funny Girl Lyrics Royalty Rights from Copyright

By Allison Dunn
December 01, 2022

A federal judge in the U.S. District Court for the District of Connecticut sided with the family of a production company executive in finding that the wife of late Broadway lyricist Bob Merrill had no right, under §304(c) of the U.S. Copyright Act, to cancel a more than 50-year-old royalty agreement between the executive and Merrill. Merrill v. Hyman, 3:21-cv-551 (2022).

Merrill wrote and copyrighted the lyrics to the musical Funny Girl, including the now-classic song "Don't Rain On My Parade." In November 1963, Merrill and his co-authors, the musical's book writer and composer, struck a deal with a production company to produce the musical. The company got the exclusive right to produce the play, while Merrill was offered 2.5% to 3% of gross box-office receipts, 19.5% of profits from the original cast album and 20% of book sales.

In December 1963, Merrill signed a contract with Eliot Hyman, an executive at the production company, to swap some of Merrill's future royalties for cash. According to the contract, Hyman gave Merrill $82,500 in exchange for "an undivided two-thirds … interest in … [Merrill's] right to receive such royalties, percentage compensation, rights to other compensation, including, but not limited to, all compensation derived from any source whatever in and in connection with 'Funny Girl.'"

This premium content is locked for Entertainment Law & Finance subscribers only

  • Stay current on the latest information, rulings, regulations, and trends
  • Includes practical, must-have information on copyrights, royalties, AI, and more
  • Tap into expert guidance from top entertainment lawyers and experts

For enterprise-wide or corporate acess, please contact Customer Service at [email protected] or 877-256-2473

Read These Next
Major Differences In UK, U.S. Copyright Laws Image

This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.

Strategy vs. Tactics: Two Sides of a Difficult Coin Image

With each successive large-scale cyber attack, it is slowly becoming clear that ransomware attacks are targeting the critical infrastructure of the most powerful country on the planet. Understanding the strategy, and tactics of our opponents, as well as the strategy and the tactics we implement as a response are vital to victory.

The Article 8 Opt In Image

The Article 8 opt-in election adds an additional layer of complexity to the already labyrinthine rules governing perfection of security interests under the UCC. A lender that is unaware of the nuances created by the opt in (may find its security interest vulnerable to being primed by another party that has taken steps to perfect in a superior manner under the circumstances.

Removing Restrictive Covenants In New York Image

In Rockwell v. Despart, the New York Supreme Court, Third Department, recently revisited a recurring question: When may a landowner seek judicial removal of a covenant restricting use of her land?

Fresh Filings Image

Notable recent court filings in entertainment law.