Features
Scott Graham
The California Court of Appeal created some First Amendment breathing room for the creators of docudramas — at the expense of legendary actress Olivia de Havilland — when the court ordered her suit against FX Networks over its Emmy Award-winning miniseries Feud be stricken under California's anti-SLAPP law, even if it did play a little fast-and-loose with de Havilland's character.
Features
Samantha Joseph
The title of Julio Iglesias's hit song “Me Olvide de Vivir” translates to “I Had Forgotten to Live.” But a Miami songwriter's copyright infringement lawsuit suggests the only thing the famed crooner “forgot” was to pay his collaborator.
Features
Max Mitchell
Settlement proceeds from a writers' dispute involving the film <i>Olympus Has Fallen</i> must be further divided pursuant to one of the writer's divorce agreements, the Pennsylvania Superior Court has ruled.
Columns & Departments
Stan Soocher
Rule 12(b)(6) Motion Denied in Infringement Dispute over Anastasia Musical, Due to “Lengthy Historical Record” Involving Central Character<br>
Columns & Departments
ssalkin
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New York State Bar Association Entertainment, Arts & Sports Law Section Annual Spring Meeting
Features
Matthew V. Wilson
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Tucker Barr
The culturally conscious property owner may be interested in commissioning an artist to beautify the outdoor wall of the owner's warehouse space. However, it's important to understand the legal effect of commissioning such work and the scope of rights that the property owner acquires and surrenders as a result.
Features
Max Mitchell
Agreeing to arbitration was supposed to be as easy as clicking a button, but Live Nation was unable to show that a man seeking to sue the company actually clicked any of the buttons indicating his consent to arbitrate.
Features
Shmuel Vasser and Yehuda Goor
It's not uncommon for rights licensees in the entertainment industry to find themselves in a rights dispute when a licensor files for bankruptcy.
Features
Carri H. Cohen, Janie F. Schulman
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Joshua Hill
The important ongoing industry and national conversation about sexual harassment is serving as a wake-up call to entertainment companies, board members and C-suite executives about the need to be proactive when confronted with allegations of harassment or other workplace misconduct.
Features
Cogan Schneier
At the Oscars in March, Best Actress winner Frances McDormand made “inclusion rider” go viral. But Kalpana Kotagal, a partner at Cohen Milstein Sellers & Toll had already worked for months to write the language for such provisions. Kotagal was developing legal language for contract provisions that Hollywood's elite could use to require studios and other partners to employ diverse workers on set.
