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Twenty-two years ago, I received a call from a headhunter looking to hire a Controller for Kirkpatrick, Lockhart, Johnson & Hutchison, a midsize and growing law firm with about 150 lawyers.
Since I aspired to be a partner in a CPA firm or a Public Company CFO, the initial telephonic interview left me thinking this opportunity wasn't for me. No SEC or 10-Ks, no Board or Audit Committee meetings, no significant research to conduct: Just how challenging could it be to work for a cash basis business that didn't even require GAAP accounting?
Deciding nevertheless to give Kirkpatrick Lockhart a try, I soon learned that challenges for a law firm financial administrator were not at all in short supply.
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This article highlights how copyright law in the United Kingdom differs from U.S. copyright law, and points out differences that may be crucial to entertainment and media businesses familiar with U.S law that are interested in operating in the United Kingdom or under UK law. The article also briefly addresses contrasts in UK and U.S. trademark law.
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